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It\u2019s been easy (laughter). It was just the right time in terms of overall trajectory for our lives. When I was younger I wouldn\u2019t have thought I wanted to live outside the city. I was too interested in being able to go to concerts at the Empty Bottle or to catch movies in theaters. I\u2019m glad I did those things and had that life trajectory but I\u2019m happy to be outside of it now.
Having come into that world without a background in film\u2026 I mean, I had done work as an audio technician in various ways, recording music, mixing music, doing CD mastering, working in Chicago public radio, making radio programs, and doing live broadcasts and blah blah blah. I had some sense of how to work in audio but not any training in how to do soundtrack for a movie. I had blissfully approached that without a sense of what conventions I was either making use of or not making use of.
And I was like, wow, that really crystallized everything. I\u2019m really interested in hearing that mic. What was that mic made out of? Who made that mic? Everything about the history of that mic is part of what\u2019s in every shot. That\u2019s part of the movie to me. Ideally, everything is important or something to think about or think with.
Some people have asked me about foley in that movie, and there\u2019s none. It\u2019s all the sounds from that one mic, and that was a beautiful surprise. I had already done Swiss Mountain Transport Systems by that time so I already knew what happened when you made a recording in a gondola (laughter). But nonetheless, it was a nice surprise. There must be better examples of something being really surprising. (pauses).
Just as a tangent to what we were talking about a minute ago, the fact that people asked about foley or were convinced there was foley in Manakamana has to do with the sort of distrust of the soundtrack that people who see movies learn; you assume that what you\u2019re hearing isn\u2019t from what you\u2019re seeing because that\u2019s how you know movies are made. That\u2019s a bit of a tragedy. Maybe that\u2019s a bit of an overstatement, but people learn not to trust the soundtrack. The soundtrack is exempt from the point of nonfiction.
There was also a revelation to Lucien and V\u00E9r\u00E9na when they looked at the GoPros because they didn\u2019t go into the movie they were going to make it that way. That was something they tried along the way and saw the results later in a sort of old-fashioned way. With GoPros you don\u2019t see the images that are recorded. It\u2019s like in the old days of film when you\u2019d record something and then look at it later, and so they\u2019re looking at it later and are like, \u201COkay, I think we have something here, this is interesting.\u201D
There\u2019s a lot that\u2019s impossible to know about this short LP because the information simply isn\u2019t present. First of which, where these recordings were made and who made them. You can work out that at least some of these recordings of birds come from France, simply because a parrot can be heard repeating a person saying \u201Cbonjour, coco\u201D on one of the tracks. If these recordings were made for research or pleasure, the packaging doesn\u2019t say. The date of release isn\u2019t even possible to figure out, with the year of 1955 listed on Discogs being nothing more than an estimate based on adjacent releases in the La Voix De Son Ma\u00EEtre catalog. I don\u2019t even know where the LP came from\u2014some guy on a torrent site found it by chance and ripped it, knowing nothing of its provenance himself. I held on to these files for years not only because they\u2019re pretty, but because I think these moments in time are worth preserving. I became protective of this record because someone decided to preserve its contents on a whim, and because everyone else that downloaded it almost surely forgot about it. I can\u2019t tell you a thing about why it should matter, and that\u2019s why it matters so much to me. \u2014Shy Thompson
Haricharan Sheshadri, popularly known as Haricharan in the industry & by his fans, is an Indian playback singer, Carnatic vocalist, and musician who predominantly works in Tamil, Telugu, Malayalam, Hindi, Kannada, and English. Haricharan was born on 20th March 1987 in Chennai, Tamil Nadu, India into a musical family. His grandfather, P.S. Ganapathy, was the organizer of “Aalapanaa”, a mic-less Carnatic concert in the 60s. Haricharan’s grandmother, Smt. Alamelu Ganapathy is a national awardee in Mathematics, and she has been in academia for more than 35 years. His father, G. Sheshadri, is an artist through All India Radio, and also a bank employee. His mother, Latha, is a librarian in P.S. Senior Secondary School. He started learning Carnatic music at the age of 7 from Smt. Sethu Mahadevan. Later, he learned music from stalwarts like K.V. Narayanaswamy, T.M. Prabhavathi, and P.S. Narayanaswamy. When he was 17, Haricharan recorded his first Tamil song for the film Kaadhal in Joshua Sridhar’s music. He even went on to record three songs in his debut movie. Haricharan’s song Unakkena Iruppen was nominated for the National Film Awards in the year 2005. This song became widely popular back then and also gave a kick-start to his singing career. Post that, he has recorded many hit numbers for various music directors across the South. Haricharan became more popular after the release of his song Thuli Thuli. For his uber talent, Haricharan has bagged several accolades as well. Some of the most popular Haricharan Telugu songs are Ay Pilla, Ninnu Chudakunda Undalekapothunnanu, Dheemthana Dheemthana, Ye Chota Nuvvuna, Ay Pilla - Bit, Manasunipatti Daaram Katti, Chiru Chiru, Nee Choopule, Andhamaina Chandhamaama, and many more. While some people love listening to top Haricharan Telugu songs, some cannot miss out on the best Haricharan Tamil songs like Azhagiye, Thuli Thuli, Nillayo, Pookkalae Sattru Oyivedungal, Manamengum Maaya Oonjal, Arabu Naadu, and the list goes on. Download and listen to all-time hit Haricharan MP3 songs in high quality on Gaana.com.
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